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Militarized Ecologies: Visualizations of Environmental Struggle in the Brazilian Amazon

Militarized Ecologies: Visualizations of Environmental Struggle in the Brazilian Amazon This essay explores the erasure of the ecological commons as an environmental and representative space of political contestation, in and through the development of a specific type of imaging process that transforms the ecological commons into a spectacle. Specifically, it examines visualizations of performative environmental protests that took place in June 2012 against the Belo Monte Dam in Brazil. It claims that these visualizations are governed by a particular ontology that has its origins in the military and colonial activity of turning landscapes, and environments in general, into targetable areas. I argue that these visualizations of the environment are governed by a metaphysical discourse: photographs taken from a great height that pretend to show the majesty of nature and purport to be apolitical, objective, and transparent as a form of environmental representation. This military form of figuring reality reduces ecological complexities, interactions, fluidity, and biodiversity into two general forms or ideas of “environment”: the idea of an untouched and pristine wilderness and the idea of an environmental struggle waged by indigenous peoples comprehended as victims. The protests of June 2012, however, show that indigenous people are fully cognizant of this dominant form of environmental imaginary. I reveal how their performative demonstrations disrupt the metaphysical ontology of visualizing the environment, thereby reopening the ecological commons to political contestation. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Public Culture Duke University Press

Militarized Ecologies: Visualizations of Environmental Struggle in the Brazilian Amazon

Marzec, Robert P.
Public Culture , Volume 26 (2 73) – Mar 20, 2014
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Publisher
Duke University Press
Copyright
Copyright © Duke Univ Press
ISSN
0899-2363
eISSN
1527-8018
DOI
10.1215/08992363-2392048
Publisher site
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Abstract

This essay explores the erasure of the ecological commons as an environmental and representative space of political contestation, in and through the development of a specific type of imaging process that transforms the ecological commons into a spectacle. Specifically, it examines visualizations of performative environmental protests that took place in June 2012 against the Belo Monte Dam in Brazil. It claims that these visualizations are governed by a particular ontology that has its origins in the military and colonial activity of turning landscapes, and environments in general, into targetable areas. I argue that these visualizations of the environment are governed by a metaphysical discourse: photographs taken from a great height that pretend to show the majesty of nature and purport to be apolitical, objective, and transparent as a form of environmental representation. This military form of figuring reality reduces ecological complexities, interactions, fluidity, and biodiversity into two general forms or ideas of “environment”: the idea of an untouched and pristine wilderness and the idea of an environmental struggle waged by indigenous peoples comprehended as victims. The protests of June 2012, however, show that indigenous people are fully cognizant of this dominant form of environmental imaginary. I reveal how their performative demonstrations disrupt the metaphysical ontology of visualizing the environment, thereby reopening the ecological commons to political contestation.

Journal

Public Culture – Duke University Press

Published: Mar 20, 2014

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