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INDEX FOR VOLUME XXVII, NOS. 1-3

INDEX FOR VOLUME XXVII, NOS. 1-3 Acker, Kathy, in “On Money,” no. I, 94. Auslander, Philip, in “On Money,” no. I, 95. Brustein, Robert, “Money and the Theater,” [in “On Money”], no. I, 84-85. Crouch, Stanley, “Who’s Zooming Who?, [in “Beyond the Wilson-Brustein Debate”], nos. 2-3, 20-23. Davidian, Blanche, “The Performance of Patriotism: Infiltration and Identity at the End of the World,” no. I, - [in Up Front], nos. 2-3,s-S. , Nadel, Alan, “August Wilson and the (Color-Blind) Whiteness of Public Space,” [in “Beyond the WilsonBrustein Debate”], nos. 2-3,38-41. Nesmith, Eugene, “Present, Past, Future,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3, 23-30. Novak, Peter and Tom Sellar, “The RAT Race,” [in “On Money”], no. I, 85-90. Perlo@, Carey, “Seven Avenues Towards the Heart of a Mystery,” nos. 2-3, 60-63. Rabetz, Samantha Rachel, “Putting It in Context,” [book review: H.R. Coursen’s Shakespeare in Production: Whose History?],no. I, 104-106. Sellar, Tom, ”Question Marks,” [book review: Peter Handke’s hyage t o the Sonorous Land, 07 The Art o f Asking and The Hour We Knew Nothing $Each Other, trans. Gitta Honegger], nos. 2-3, 161-163. 7-28. Davis, Clinton Turner, “To Whom It May Concern,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3,30-34. Dolan, Jill, in “On Money,” no. I, 96-98. Field, Thalia, “Scribbles of a Flea,” [In “On Money”], no. I, 91-93. Garrett, Shawn-Marie, “Werewolves, Fractals, and Forbidden Knowledge: Mac Wellman, Interviewed by Shawn-Marie Garrett,” nos. 2-3,87-95. Hamlin, Scott, “ O u t of Danger: Emily M a n n , Interviewed by Scott Hamlin,” no. I, 99-101. Kalb, Jonathan, “On the Becoming Death of Poor H. M.,” no. I, 65-73. Kane, Sarah, Blasted, no. I , 35-64. Kaufmann, Stanley, “Gabriel Blew His Horn,” [book review: Bernard Shaw and Gabriel Pascal, ed. Bernard F. Dukore], nos. 2-3, 159-161. Klait Dragan, “A Peek Out of Subsidy Land,” no. 75-82. I, - “Truth and Dare: Sarah Kane’s Blasted,” no. I, , 29-34. Tabori, George, “The Kiss,” trans. Kevin S. Wood, no. I, 74. Taylor, Zanthe, “Singing for Their Supper: T h e Negro Units of the Federal Theater Project and Their Plays,” nos. 2-3,43-59. “War of the Worlds: An Interview with Margo Jefferson,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3,13-20. Wellman, Mac, Cat? - Paw:A Meditation on the Don Letter from Europe: “A Week in the Memory Arena,” nos. 2-3,137-146. Malina, Judith, Interviewed in “On Money,” no. I, 90-91. McCauley, Robbie, “Working Around Power,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3,34-38. McNulty, Charles, “The Poetics of Place,” [book review: Una Chaudhuri’s Staging Place: The Geopaphy $Modern Drama], no. I, 102-104. Juan Theme,nos. 2-3, 97-135. - The Dttfiulty o , f Crossing a Field, nos. 2-3, 65-86. Zipes, Jack, “The Personal as Political,” [book review: DramaContemporary: Germany, ed. Carl Weber], nos. 2-3,163-65. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Theater Duke University Press

INDEX FOR VOLUME XXVII, NOS. 1-3

I NDEX FOR V OLUME XXVII , N OS . 1–3
Theater , Volume 28 (1) – Sep 1, 1997
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Publisher
Duke University Press
Copyright
Copyright 1997 by Yale School of Drama/Yale Repertory Theatre
ISSN
0161-0775
eISSN
1527-196X
DOI
10.1215/01610775-28-1-124
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Abstract

Acker, Kathy, in “On Money,” no. I, 94. Auslander, Philip, in “On Money,” no. I, 95. Brustein, Robert, “Money and the Theater,” [in “On Money”], no. I, 84-85. Crouch, Stanley, “Who’s Zooming Who?, [in “Beyond the Wilson-Brustein Debate”], nos. 2-3, 20-23. Davidian, Blanche, “The Performance of Patriotism: Infiltration and Identity at the End of the World,” no. I, - [in Up Front], nos. 2-3,s-S. , Nadel, Alan, “August Wilson and the (Color-Blind) Whiteness of Public Space,” [in “Beyond the WilsonBrustein Debate”], nos. 2-3,38-41. Nesmith, Eugene, “Present, Past, Future,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3, 23-30. Novak, Peter and Tom Sellar, “The RAT Race,” [in “On Money”], no. I, 85-90. Perlo@, Carey, “Seven Avenues Towards the Heart of a Mystery,” nos. 2-3, 60-63. Rabetz, Samantha Rachel, “Putting It in Context,” [book review: H.R. Coursen’s Shakespeare in Production: Whose History?],no. I, 104-106. Sellar, Tom, ”Question Marks,” [book review: Peter Handke’s hyage t o the Sonorous Land, 07 The Art o f Asking and The Hour We Knew Nothing $Each Other, trans. Gitta Honegger], nos. 2-3, 161-163. 7-28. Davis, Clinton Turner, “To Whom It May Concern,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3,30-34. Dolan, Jill, in “On Money,” no. I, 96-98. Field, Thalia, “Scribbles of a Flea,” [In “On Money”], no. I, 91-93. Garrett, Shawn-Marie, “Werewolves, Fractals, and Forbidden Knowledge: Mac Wellman, Interviewed by Shawn-Marie Garrett,” nos. 2-3,87-95. Hamlin, Scott, “ O u t of Danger: Emily M a n n , Interviewed by Scott Hamlin,” no. I, 99-101. Kalb, Jonathan, “On the Becoming Death of Poor H. M.,” no. I, 65-73. Kane, Sarah, Blasted, no. I , 35-64. Kaufmann, Stanley, “Gabriel Blew His Horn,” [book review: Bernard Shaw and Gabriel Pascal, ed. Bernard F. Dukore], nos. 2-3, 159-161. Klait Dragan, “A Peek Out of Subsidy Land,” no. 75-82. I, - “Truth and Dare: Sarah Kane’s Blasted,” no. I, , 29-34. Tabori, George, “The Kiss,” trans. Kevin S. Wood, no. I, 74. Taylor, Zanthe, “Singing for Their Supper: T h e Negro Units of the Federal Theater Project and Their Plays,” nos. 2-3,43-59. “War of the Worlds: An Interview with Margo Jefferson,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3,13-20. Wellman, Mac, Cat? - Paw:A Meditation on the Don Letter from Europe: “A Week in the Memory Arena,” nos. 2-3,137-146. Malina, Judith, Interviewed in “On Money,” no. I, 90-91. McCauley, Robbie, “Working Around Power,” [in “Beyond the Wilson-Brustein Debate”], nos. 2-3,34-38. McNulty, Charles, “The Poetics of Place,” [book review: Una Chaudhuri’s Staging Place: The Geopaphy $Modern Drama], no. I, 102-104. Juan Theme,nos. 2-3, 97-135. - The Dttfiulty o , f Crossing a Field, nos. 2-3, 65-86. Zipes, Jack, “The Personal as Political,” [book review: DramaContemporary: Germany, ed. Carl Weber], nos. 2-3,163-65.

Journal

Theater – Duke University Press

Published: Sep 1, 1997

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