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Page 92 Bastards of the Unï¬nished Revolution: BolÃvarâs Ismael and Rizalâs Martà at the Turn of the Twentieth Century John D. Blanco Acabarán como el padreâcontestó ElÃas en voz bajaâ; cuando la desgracia ha marcado una vez una familia, todos los miembros tienen que perecer; cuando el rayo hiere un árbol, todo lo reduce a cenizas. [âThey will end up like their father,â ElÃas answered in a low voice. âOnce misfortune has marked a family, all its members must perish; like a bolt of lightning that wounds a tree, reducing everything to ashes.â] âJosé Rizal, Noli me tangere (Do Not Touch Me) The title of my essay aims to highlight two important themes in the late colonial literature of Cuba and the Philippines at the end of the nineteenth century, embodied in the ï¬gure of a bastard son or daughter in various novels and poems. The ï¬rst theme is the recovery of a lost legacy, patrimony, or the intimation of fate, which reconï¬gures the ethical and political decisions of the colonial subject on the eve of revolution. The second is the bastardâs anomalous identity, which preï¬gures the colonial subjectâs abandonment by the society that engendered the colonial condition,
Radical History Review – Duke University Press
Published: Apr 1, 2004
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