Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
Abstract: Much has been written by major critics (Hesse, Wilson, Sloman and Palacios) supporting the belief that "La vida es sueño" is a Christian conversion play. However, comparing the changes in Calderón's hero with Machiavelli's description of the perfect prince, the reader finds an undeniable connection. I argue that "La vida es sueño" is a political play, not a religious one. Segismundo is converted by the events which transpire, but the conversion is from an imperfect to a perfect Machiavellian prince who applies many of the tenets presented in The Prince : the importance of political self-survival, the balance between man and beast, the necessity for evil tactics, and the need for pretending virtue. The article investigates the nature of prudence as it interprets Segismundo's actions from a new perspective. It questions the very existence of the perfect Christian prince. (AH)
Bulletin of the Comediantes – Bulletin of the Comediantes
Published: Jan 8, 1989
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.