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Antonio Enriquez Gomez's Honor Tragedy A lo que obliga el honor

Antonio Enriquez Gomez's Honor Tragedy A lo que obliga el honor ANTONIO ENRIQUEZ GOMEZ'S HONOR TRAGEDY A LO QUE OBLIGA EL HONOR Glen F. Dille, Bradley University Lope's pronouncement concerning honor topics--«los casos de la honra son mejores,/ porque mueven con fuerza a toda gente»--has certainly been borne out by audience as well as critical interest.(l) The three wife-murder plays of Calderón continue to intrigue and, perhaps more than any other type, are the most consistently studied works of the Golden-Age comedia.(2) made of other honor tragedies, but to date little attention has been paid to A Io que obliga el honor, an excellent work of Calderón's contemporary, Antonio Enriquez Gómez (1600-1663).(3) Until fairly recently prejudicial comments of nineteenth-century critics have contributed in large measure to the obscurity of Enriquez's dramatic works. Although each year brings more critical study to bear on this author, the most comprehensive work still remains that of Amador de los Ríos. (4) However, with Révah's biography of Enriquez and his findings concerning the use of the pseudonym, Fernando de Zarate, there has been a renewal of interest not only in the comedia of this fascinating author but also in his prose and poetry. (5) During the course of Calderonian investigation some mention is usually http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Bulletin of the Comediantes Bulletin of the Comediantes

Antonio Enriquez Gomez's Honor Tragedy A lo que obliga el honor

Dille, Glen F.
Bulletin of the Comediantes , Volume 30 (2) – Jan 8, 1978
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Publisher
Bulletin of the Comediantes
Copyright
Copyright © Bulletin of the Comediantes
ISSN
1944-0928
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Abstract

ANTONIO ENRIQUEZ GOMEZ'S HONOR TRAGEDY A LO QUE OBLIGA EL HONOR Glen F. Dille, Bradley University Lope's pronouncement concerning honor topics--«los casos de la honra son mejores,/ porque mueven con fuerza a toda gente»--has certainly been borne out by audience as well as critical interest.(l) The three wife-murder plays of Calderón continue to intrigue and, perhaps more than any other type, are the most consistently studied works of the Golden-Age comedia.(2) made of other honor tragedies, but to date little attention has been paid to A Io que obliga el honor, an excellent work of Calderón's contemporary, Antonio Enriquez Gómez (1600-1663).(3) Until fairly recently prejudicial comments of nineteenth-century critics have contributed in large measure to the obscurity of Enriquez's dramatic works. Although each year brings more critical study to bear on this author, the most comprehensive work still remains that of Amador de los Ríos. (4) However, with Révah's biography of Enriquez and his findings concerning the use of the pseudonym, Fernando de Zarate, there has been a renewal of interest not only in the comedia of this fascinating author but also in his prose and poetry. (5) During the course of Calderonian investigation some mention is usually

Journal

Bulletin of the Comediantes – Bulletin of the Comediantes

Published: Jan 8, 1978

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