Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Reframing Albrecht Dürer: The Appropriation of Art, 1528-1700 by Andrea Bubenik (review)

Reframing Albrecht Dürer: The Appropriation of Art, 1528-1700 by Andrea Bubenik (review) 168 Reviews the English Paris master more commonly referred to as Adamus Parvipontus (Adam du Petit Pont or Adam of the Little Bridge). A useful little second appendix lists the texts referred to in Thierry of Chartres's Heptateuchon, a key twelfth-century text sadly lost during the Second World War. The bibliography and notes are as comprehensive as one would expect in a work of such dense scholarship. As Bloch makes clear, there is a parallel between the twelfth century's disregard for the Posterior Analytics followed by the thirteenth's embrace of it, and identical responses to this Aristotelian treatise in the early and late twentieth century. This is a work for the specialist. It is essential reading for anyone interested in John of Salisbury or twelfth-century scholarly life but it would also reward students of epistemology and the history of logic and the scientific method. Lola Sharon Davidson Faculty of Arts and Social Sciences University of Technology Sydney Bubenik, Andrea, Reframing Albrecht Dürer: The Appropriation of Art, 1528­1700 (Visual Culture in Early Modernity), Farnham, Ashgate, 2013; hardback; pp. xiv, 268; 81 b/w illustrations, 13 colour plates; R.R.P. £60.00; ISBN 9781409438472. The immense volume of scholarship on Albrecht Dürer (1471­1528) http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Parergon Australian & New Zealand Association of Medieval & Early Modern Studies, Inc. (ANAZAMEMS, Inc.)

Reframing Albrecht Dürer: The Appropriation of Art, 1528-1700 by Andrea Bubenik (review)

Gutiérrez-Sanfeliu, Carles.
Parergon , Volume 30 (2) – Feb 8, 2013
Download PDF
3 pages

Loading next page...
 
/lp/australian-new-zealand-association-of-medieval-early-modern-studies-inc-anazamems-inc/reframing-albrecht-d-rer-the-appropriation-of-art-1528-1700-by-andrea-dEXhPQ7vfd

References

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
Australian & New Zealand Association of Medieval & Early Modern Studies, Inc. (ANAZAMEMS, Inc.)
Copyright
Copyright © The author
ISSN
1832-8334
Publisher site
See Article on Publisher Site

Abstract

168 Reviews the English Paris master more commonly referred to as Adamus Parvipontus (Adam du Petit Pont or Adam of the Little Bridge). A useful little second appendix lists the texts referred to in Thierry of Chartres's Heptateuchon, a key twelfth-century text sadly lost during the Second World War. The bibliography and notes are as comprehensive as one would expect in a work of such dense scholarship. As Bloch makes clear, there is a parallel between the twelfth century's disregard for the Posterior Analytics followed by the thirteenth's embrace of it, and identical responses to this Aristotelian treatise in the early and late twentieth century. This is a work for the specialist. It is essential reading for anyone interested in John of Salisbury or twelfth-century scholarly life but it would also reward students of epistemology and the history of logic and the scientific method. Lola Sharon Davidson Faculty of Arts and Social Sciences University of Technology Sydney Bubenik, Andrea, Reframing Albrecht Dürer: The Appropriation of Art, 1528­1700 (Visual Culture in Early Modernity), Farnham, Ashgate, 2013; hardback; pp. xiv, 268; 81 b/w illustrations, 13 colour plates; R.R.P. £60.00; ISBN 9781409438472. The immense volume of scholarship on Albrecht Dürer (1471­1528)

Journal

Parergon – Australian & New Zealand Association of Medieval & Early Modern Studies, Inc. (ANAZAMEMS, Inc.)

Published: Feb 8, 2013

There are no references for this article.