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Catwalking through Culture: Notes from the 2002 Smithsonian Silk Road Festival

Catwalking through Culture: Notes from the 2002 Smithsonian Silk Road Festival This note examines the 2002 Smithsonian Folklife Festival, entitled "The Silk Road: Creating Culture, Connecting Trust," and focuses specifically on the work of the Central Asian and Japanese fashion designers. I explore how participants and presenters related to one another, considering many were strangers from different countries and social backgrounds when they arrived on the National Mall. The note demonstrates the contested interactions between the various designers and the Center for Folklife and Cultural Heritage (CFCH), particularly between the Japanese group and the CFCH. I posit that the varying agendas of the participants, the festival's principal designer, and the CFCH administration challenged the larger goal of creating a unified pan-Asian identity. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of American Folklore American Folklore Society

Catwalking through Culture: Notes from the 2002 Smithsonian Silk Road Festival

Journal of American Folklore , Volume 121 (1) – Jan 10, 2008

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Publisher
American Folklore Society
Copyright
Copyright © 2008 by the Board of Trustees of the University of Illinois. All rights reserved.
ISSN
1535-1882
Publisher site
See Article on Publisher Site

Abstract

This note examines the 2002 Smithsonian Folklife Festival, entitled "The Silk Road: Creating Culture, Connecting Trust," and focuses specifically on the work of the Central Asian and Japanese fashion designers. I explore how participants and presenters related to one another, considering many were strangers from different countries and social backgrounds when they arrived on the National Mall. The note demonstrates the contested interactions between the various designers and the Center for Folklife and Cultural Heritage (CFCH), particularly between the Japanese group and the CFCH. I posit that the varying agendas of the participants, the festival's principal designer, and the CFCH administration challenged the larger goal of creating a unified pan-Asian identity.

Journal

Journal of American FolkloreAmerican Folklore Society

Published: Jan 10, 2008

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