Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
L O G O S British authors and their publishers: Dividing the spoils amid creative tension Mark Le Fanu A graduate in physics and e c o ' nomics from the University of Sussex, Mark Le Fanu saw six years of service in the Royal Navy before embarking on a career as a solicitor in a large London legal practice in 1 9 7 3 . H e was appointed Assistant General Secretary of T h e Society of Authors in 1979 and has been General Secretary since 1982. Britain's 107-year-old Society of Authors, today a flourishing professional association with 5,000 members, had a difficult b i r t h . In t h e 19th century, the notion that authors - eccentrics, indi• vidualists, outsiders - should creep out of their garrets and form a professional society seemed para• doxical. It still seems so today. T h e idea was and is to form better relations with publishers. A collec• tive lelationship between authors and publishers is an elusive, nebulous concept. Are they not on the same side? They have a common interest in seeing t h a t books are well-written, beautifully produced, efficiently distributed and
Logos – Brill
Published: Jan 1, 1991
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.