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Identity, Identification, and Temperament in Emblematic Portraits of Edo Japanese Literati Artists Taiga & Gyokuran: A Philosophical and Theoretical Analysis of the Ming-Qing Legacy

Identity, Identification, and Temperament in Emblematic Portraits of Edo Japanese Literati... Mara Miller IDENTITY, IDENTIFICATION, AND TEMPERAMENT IN EMBLEMATIC PORTRAITS OF EDO JAPANESE LITERATI ARTISTS TAIGA & GYOKURAN: A PHILOSOPHICAL AND THEORETICAL ANALYSIS OF THE MING-QING LEGACY ‘It would, however, be misleading to overlook the td an isces imposed, not only across but within cultures, by distinguishabcleo nceptions of selfhood and individuality and alternative functions of po raritts.’—Richard Vinograd, Boundaries of the Self: Chinese Portrai t1s600-1900. 18th-century Japan saw the emergence of several n ew developments in the field of portraiture that challenged both poarittr conventions and the understanding of what it meant to be a significapnetr son. The most obvious of these innovations were severnael w types of por- traits of and for the middle classes. But thoughe yt hwere middle class (a An early version of this paper was presented aet M thay 2006 conference on Concepts and Categories of Emotion in East Asia, Lecce, Italyp, on ssored by the Università degli Studi di Lecce and the Università degli Studi di Napoli 'L ri'eOntale’. I thank the sponsors of the confer- ence, the organizers Prof. Paolo Santangelo and D G r.iusi Tamburello, for the opportunity to present the work, and the participants for theirm cm oents. I would http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Ming Qing Yanjiu Brill

Identity, Identification, and Temperament in Emblematic Portraits of Edo Japanese Literati Artists Taiga & Gyokuran: A Philosophical and Theoretical Analysis of the Ming-Qing Legacy

Miller, Mara
Ming Qing Yanjiu , Volume 15 (01): 52 – Feb 14, 2007
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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
1724-8574
eISSN
2468-4791
DOI
10.1163/24684791-01501004
Publisher site
See Article on Publisher Site

Abstract

Mara Miller IDENTITY, IDENTIFICATION, AND TEMPERAMENT IN EMBLEMATIC PORTRAITS OF EDO JAPANESE LITERATI ARTISTS TAIGA & GYOKURAN: A PHILOSOPHICAL AND THEORETICAL ANALYSIS OF THE MING-QING LEGACY ‘It would, however, be misleading to overlook the td an isces imposed, not only across but within cultures, by distinguishabcleo nceptions of selfhood and individuality and alternative functions of po raritts.’—Richard Vinograd, Boundaries of the Self: Chinese Portrai t1s600-1900. 18th-century Japan saw the emergence of several n ew developments in the field of portraiture that challenged both poarittr conventions and the understanding of what it meant to be a significapnetr son. The most obvious of these innovations were severnael w types of por- traits of and for the middle classes. But thoughe yt hwere middle class (a An early version of this paper was presented aet M thay 2006 conference on Concepts and Categories of Emotion in East Asia, Lecce, Italyp, on ssored by the Università degli Studi di Lecce and the Università degli Studi di Napoli 'L ri'eOntale’. I thank the sponsors of the confer- ence, the organizers Prof. Paolo Santangelo and D G r.iusi Tamburello, for the opportunity to present the work, and the participants for theirm cm oents. I would

Journal

Ming Qing Yanjiu – Brill

Published: Feb 14, 2007

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