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The author engages with how communism and socialist realism have been re-presented in post-communist Europe. Communist cultural artefacts are displayed in museums and theme parks on a continuum from dangerous relics to benign kitsch. He argues for neutrality when dealing with musical socialist realism and demonstrates some of the pitfalls in taking that position through examples of Romanian art music from the mid-20th century.
Transcultural Studies: A Series in Interdisciplinary Research – Brill
Published: Jan 1, 2013
Keywords: Socialist Realism; Romanian art music; Communism and memory; Communism and museums; Communism and theme parks
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