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FRENCH STUDIES: THE NINETEENTH CENTURY (POST-ROMANTIC)

FRENCH STUDIES: THE NINETEENTH CENTURY (POST-ROMANTIC) French Studies THE NINETEENTH CENTURY (POST-ROMANTIC) By RACHEL KrLLICK, Senior Lecturer in French, University of Leeds I. GENERAL Gerard Conde and Anne Alligorides, * Nadar, l'oeillyrique, CNMHS, rgg2, 125 pp., presents, from among 400,000 Nadar plates in the Archives photographiques, portraits of the great fin-de-siecle lyric artists. Claude Debussy, *Correspondance, ed. Fran<;ois Lesure, Her­ mann, 399 pp. Mireille Dottin-Orsini, Cette femme qu'ils disent fatale, Grasset, 384 pp., uses pictures, drawings and a wide range of texts, non-literary (legal, medical, journalistic) and literary, to explore the 'discours misogyne' oflate 19th-c. France. Arthur Ellridge, *Gauguin et les nabis, P. Terrail, 224 pp., gives a panorama ofjin-de-siecle Parisian culture and ideas, notably 1 aponism and Symbolism. Michel Espagne, * Le Paradigme de l'etranger: les chaires de littirature itrangere au X!Xe siecle, Cerf, 379 pp., examines the rgth-c. development of German, Italian, Spanish, English, and Slavic studies and its significance for letters in France. 1 ean-Pierre Fontaine, *La Vie tumultueuse d'Alfred Grivin, Zelie, 224 pp., describes the celebrated Belle Epoque museum proprietor, caricaturist and theatrical costu­ mier. Henri Gervex, !852-1929, Musce Carnavalet, 255 pp., contains a substantial biographical study by J.-F. Canchy (23-83), detailing contacts with writers (1885 travels to Italy with Maupassant) http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Year’s Work in Modern Language Studies Brill

FRENCH STUDIES: THE NINETEENTH CENTURY (POST-ROMANTIC)

KILLICK, RACHEL
The Year’s Work in Modern Language Studies , Volume 55 (1): 34 – Mar 13, 1994
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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0084-4152
eISSN
2222-4297
DOI
10.1163/22224297-90003312
Publisher site
See Article on Publisher Site

Abstract

French Studies THE NINETEENTH CENTURY (POST-ROMANTIC) By RACHEL KrLLICK, Senior Lecturer in French, University of Leeds I. GENERAL Gerard Conde and Anne Alligorides, * Nadar, l'oeillyrique, CNMHS, rgg2, 125 pp., presents, from among 400,000 Nadar plates in the Archives photographiques, portraits of the great fin-de-siecle lyric artists. Claude Debussy, *Correspondance, ed. Fran<;ois Lesure, Her­ mann, 399 pp. Mireille Dottin-Orsini, Cette femme qu'ils disent fatale, Grasset, 384 pp., uses pictures, drawings and a wide range of texts, non-literary (legal, medical, journalistic) and literary, to explore the 'discours misogyne' oflate 19th-c. France. Arthur Ellridge, *Gauguin et les nabis, P. Terrail, 224 pp., gives a panorama ofjin-de-siecle Parisian culture and ideas, notably 1 aponism and Symbolism. Michel Espagne, * Le Paradigme de l'etranger: les chaires de littirature itrangere au X!Xe siecle, Cerf, 379 pp., examines the rgth-c. development of German, Italian, Spanish, English, and Slavic studies and its significance for letters in France. 1 ean-Pierre Fontaine, *La Vie tumultueuse d'Alfred Grivin, Zelie, 224 pp., describes the celebrated Belle Epoque museum proprietor, caricaturist and theatrical costu­ mier. Henri Gervex, !852-1929, Musce Carnavalet, 255 pp., contains a substantial biographical study by J.-F. Canchy (23-83), detailing contacts with writers (1885 travels to Italy with Maupassant)

Journal

The Year’s Work in Modern Language Studies – Brill

Published: Mar 13, 1994

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