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LATIN 1. MEDIEVAL LATIN By C. J. McDoNOUGH, Professor of Classics, University of Toronto I. GENERAL Charles Martindale has edited a volume devoted to Ovidian influ ences on the literature and art from the Middle Ages to the twentieth century entitled Ovid Renewed, CUP, xiv + 298 + r6 pis. Of particular interest are: Niall Rudd, 'Daedalus and Icarus (i)' (21-35), which gives a cursory survey of the myth's treatment from Virgil to Boccaccio; /d., 'Daedalus and Icarus (ii)' (37-53), continuing the story from the 14th c. onward; C. W. Grocock, 'Ovid the Crusader' (55-69), tracking Ovidian influence on the imagery and style ofGilo's Historia Vie Hierosolimitane. Winthrop Wetherbee, 'Philosophy, cosmology, and the twelfth-century Renaissance', in A History of Twelfth-Century Western Philosophy, ed. Peter Dronke, CUP, xi + 495 pp., pp. 2 r-53, assesses the importance of Platonist cosmological thought in the production of the Cosmographia of Bernard Silvestris and the De planctu Nature of Alan of Lille. R. Van Dam, 'Images of Saint Martin in Late Roman and Early Merovingian Gaul', Viator, 19: r-27, traces the saint's shifting features. The discovery of four fragments of interest to students of hagiography is discussed (with plates) by E. Spinelli, 'Nuovi
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