Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

MEDIEVAL LATIN

MEDIEVAL LATIN LATIN 1. MEDIEVAL LATIN By C. J. McDoNOUGH, Professor of Classics, University of Toronto I. GENERAL Charles Martindale has edited a volume devoted to Ovidian influ­ ences on the literature and art from the Middle Ages to the twentieth century entitled Ovid Renewed, CUP, xiv + 298 + r6 pis. Of particular interest are: Niall Rudd, 'Daedalus and Icarus (i)' (21-35), which gives a cursory survey of the myth's treatment from Virgil to Boccaccio; /d., 'Daedalus and Icarus (ii)' (37-53), continuing the story from the 14th c. onward; C. W. Grocock, 'Ovid the Crusader' (55-69), tracking Ovidian influence on the imagery and style ofGilo's Historia Vie Hierosolimitane. Winthrop Wetherbee, 'Philosophy, cosmology, and the twelfth-century Renaissance', in A History of Twelfth-Century Western Philosophy, ed. Peter Dronke, CUP, xi + 495 pp., pp. 2 r-53, assesses the importance of Platonist cosmological thought in the production of the Cosmographia of Bernard Silvestris and the De planctu Nature of Alan of Lille. R. Van Dam, 'Images of Saint Martin in Late Roman and Early Merovingian Gaul', Viator, 19: r-27, traces the saint's shifting features. The discovery of four fragments of interest to students of hagiography is discussed (with plates) by E. Spinelli, 'Nuovi http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Loading next page...
 
/lp/brill/medieval-latin-S8MNYS0HHb

References

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0084-4152
eISSN
2222-4297
DOI
10.1163/22224297-90002930
Publisher site
See Article on Publisher Site

Abstract

LATIN 1. MEDIEVAL LATIN By C. J. McDoNOUGH, Professor of Classics, University of Toronto I. GENERAL Charles Martindale has edited a volume devoted to Ovidian influ­ ences on the literature and art from the Middle Ages to the twentieth century entitled Ovid Renewed, CUP, xiv + 298 + r6 pis. Of particular interest are: Niall Rudd, 'Daedalus and Icarus (i)' (21-35), which gives a cursory survey of the myth's treatment from Virgil to Boccaccio; /d., 'Daedalus and Icarus (ii)' (37-53), continuing the story from the 14th c. onward; C. W. Grocock, 'Ovid the Crusader' (55-69), tracking Ovidian influence on the imagery and style ofGilo's Historia Vie Hierosolimitane. Winthrop Wetherbee, 'Philosophy, cosmology, and the twelfth-century Renaissance', in A History of Twelfth-Century Western Philosophy, ed. Peter Dronke, CUP, xi + 495 pp., pp. 2 r-53, assesses the importance of Platonist cosmological thought in the production of the Cosmographia of Bernard Silvestris and the De planctu Nature of Alan of Lille. R. Van Dam, 'Images of Saint Martin in Late Roman and Early Merovingian Gaul', Viator, 19: r-27, traces the saint's shifting features. The discovery of four fragments of interest to students of hagiography is discussed (with plates) by E. Spinelli, 'Nuovi

There are no references for this article.