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RUSSIAN STUDIES: THE EIGHTEENTH CENTURY

RUSSIAN STUDIES: THE EIGHTEENTH CENTURY Russian Studies THE EIGHTEENTH CENTURY By LINDSEY A. J. HUGHES, Lecturer in Russian History in the School of Slavonic and East European Studies, University of London I. GENERAL COLLECTIONS AND ANTHOLOGIES. Speculations about whether contem­ porary currents of reform have reached the rarefied air of I 8th-c. studies were not entirely disappointed. XVIII BeK. 15. PyccxaR .llume­ pamypa XVIII Bexa B ee CBRJRX c ucxyccmBOM u uayxou, ed. A. M. Panchenko et al., Ld, 'H', 293 pp., contains two references to perestroika in the first paragraph of the editor's preface. Otherwise, the fare is familiar and solid. Only the six articles of Section I relate to the title of the volume. These explore the highways of aesthetic theory (Yu. V. Stennik, 37-5I) and the byways of the Vologda theatre in the I78os (R. M. Lazarchuk, 52-69); E. D. Kukushkina (2I-36) gives a fascinating analysis of a I 7 I emblematic 7 engraving of Tsarevna Natal'ya Alekseevna; N. D. Kochetkova (7~96) completes her examination of the sentimental hero (see YWMLS, 45: 932), showing how literature, art, and nature interacted to produce new literary types and perceptions; V. S. Kopylova and A.M. Panchenko (5-20) argue that early I 8th-c. musical settings http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Year’s Work in Modern Language Studies Brill

RUSSIAN STUDIES: THE EIGHTEENTH CENTURY

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0084-4152
eISSN
2222-4297
DOI
10.1163/22224297-90002849
Publisher site
See Article on Publisher Site

Abstract

Russian Studies THE EIGHTEENTH CENTURY By LINDSEY A. J. HUGHES, Lecturer in Russian History in the School of Slavonic and East European Studies, University of London I. GENERAL COLLECTIONS AND ANTHOLOGIES. Speculations about whether contem­ porary currents of reform have reached the rarefied air of I 8th-c. studies were not entirely disappointed. XVIII BeK. 15. PyccxaR .llume­ pamypa XVIII Bexa B ee CBRJRX c ucxyccmBOM u uayxou, ed. A. M. Panchenko et al., Ld, 'H', 293 pp., contains two references to perestroika in the first paragraph of the editor's preface. Otherwise, the fare is familiar and solid. Only the six articles of Section I relate to the title of the volume. These explore the highways of aesthetic theory (Yu. V. Stennik, 37-5I) and the byways of the Vologda theatre in the I78os (R. M. Lazarchuk, 52-69); E. D. Kukushkina (2I-36) gives a fascinating analysis of a I 7 I emblematic 7 engraving of Tsarevna Natal'ya Alekseevna; N. D. Kochetkova (7~96) completes her examination of the sentimental hero (see YWMLS, 45: 932), showing how literature, art, and nature interacted to produce new literary types and perceptions; V. S. Kopylova and A.M. Panchenko (5-20) argue that early I 8th-c. musical settings

Journal

The Year’s Work in Modern Language StudiesBrill

Published: Mar 13, 1987

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