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French Studies: Literature, 2000 to the Present Day

French Studies: Literature, 2000 to the Present Day LITER ATUR E , 2000 TO THE PR ESENT DAY Dominique Jeannerod, Queen’s University Belfast 1. Gener al Écritures contemporaines 10: nouvelles écritures littéraires d , e ed l.’ H D io sto mii n rie que Viart, c aen, Minard, 2009, 364 pp., identifies as a defining feature of contemporary literature the urge it expresses to revisit the century just ended -ex ap nl d or re e time past through manifold forms. D. Viart, ‘Nouveaux modèles de représentation de l’Histoire en littérature contemporaine’ (11–39), recognizes four categories and critr er om ia a: n a archéologique (Daeninckx, Bon, Rouaud, Bergounioux) based on a sense of heterogeneous sourc ée ts h ; ia qn ue de la restitution, aiming at rescuing narratively the lives of individuals ignored or broken by history (Ernaux, Martine Sonnet), with references to Bourdieu’s sociology or Gin m zic bu rr og -s ’s tor; ia a renewal of the témoignage littéraire, through its fictionalization, the use of intertextuality with major texts of the genre focusing variously on realism, symbolism, criticism, and emotion (Littel cll , a Pu hd il eil p, pe Soazig Aaron); and the reinvention of traditional forms réc suic th http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Year's Work in Modern Language Studies Brill

French Studies: Literature, 2000 to the Present Day

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0084-4152
eISSN
2222-4297
DOI
10.1163/2222-4297-90000804
Publisher site
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Abstract

LITER ATUR E , 2000 TO THE PR ESENT DAY Dominique Jeannerod, Queen’s University Belfast 1. Gener al Écritures contemporaines 10: nouvelles écritures littéraires d , e ed l.’ H D io sto mii n rie que Viart, c aen, Minard, 2009, 364 pp., identifies as a defining feature of contemporary literature the urge it expresses to revisit the century just ended -ex ap nl d or re e time past through manifold forms. D. Viart, ‘Nouveaux modèles de représentation de l’Histoire en littérature contemporaine’ (11–39), recognizes four categories and critr er om ia a: n a archéologique (Daeninckx, Bon, Rouaud, Bergounioux) based on a sense of heterogeneous sourc ée ts h ; ia qn ue de la restitution, aiming at rescuing narratively the lives of individuals ignored or broken by history (Ernaux, Martine Sonnet), with references to Bourdieu’s sociology or Gin m zic bu rr og -s ’s tor; ia a renewal of the témoignage littéraire, through its fictionalization, the use of intertextuality with major texts of the genre focusing variously on realism, symbolism, criticism, and emotion (Littel cll , a Pu hd il eil p, pe Soazig Aaron); and the reinvention of traditional forms réc suic th

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The Year's Work in Modern Language Studies – Brill

Published: Jan 2, 2012

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