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The Master of Flémalle Group

The Master of Flémalle Group the stereomicroscope for the current project was only carried out partially on the Prado Descent ftom the Cross, the Hague Lamentation, the New York Christ Appearing to His Mother and the Louvain Trinity, and on the Brussels Annunciation in the Flemalle Group. Similarly, the reverse of the paintings examined with infrared reflectography could only be studied in a few cases. 42 Evaluation of infrared reflectograms One important aim of this study has been to make a stylistic comparison of the underdrawing revealed in the infrared reflectograms. Proper interpretation requires comparison with the painting itself, and this was attempted in as many cases as possible. 43 When the style and execution of the underdrawings were examined it seemed possible to recognise certain 'types' of shading, placement of folds and hatching. Such categories are illustrated in figs. 12, 13, 21, 22. The method employed in this study has been to try to correlate such 'types' of underdrawing in various paintings, and thus to establish 'links' between aspects of the underdrawing phase. Obviously this does not necessarily apply to further stages in the painting process, as is demonstrated by the Columba Altarpiece and the Louvain Trinity.44 Although this approach may strike http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online Brill

The Master of Flémalle Group

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Publisher
Brill
Copyright
Copyright 1990 by Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0169-6726
eISSN
2214-5966
DOI
10.1163/22145966-90000163
Publisher site
See Article on Publisher Site

Abstract

the stereomicroscope for the current project was only carried out partially on the Prado Descent ftom the Cross, the Hague Lamentation, the New York Christ Appearing to His Mother and the Louvain Trinity, and on the Brussels Annunciation in the Flemalle Group. Similarly, the reverse of the paintings examined with infrared reflectography could only be studied in a few cases. 42 Evaluation of infrared reflectograms One important aim of this study has been to make a stylistic comparison of the underdrawing revealed in the infrared reflectograms. Proper interpretation requires comparison with the painting itself, and this was attempted in as many cases as possible. 43 When the style and execution of the underdrawings were examined it seemed possible to recognise certain 'types' of shading, placement of folds and hatching. Such categories are illustrated in figs. 12, 13, 21, 22. The method employed in this study has been to try to correlate such 'types' of underdrawing in various paintings, and thus to establish 'links' between aspects of the underdrawing phase. Obviously this does not necessarily apply to further stages in the painting process, as is demonstrated by the Columba Altarpiece and the Louvain Trinity.44 Although this approach may strike

Journal

Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online – Brill

Published: Jan 1, 1990

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