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L’organisation d’ensemble du livre ii des Ῥυθμικὰ στοιχεῖα d’Aristoxène de Tarente

L’organisation d’ensemble du livre ii des Ῥυθμικὰ στοιχεῖα d’Aristoxène de Tarente The study of evidence on the content of Book ii of Aristoxenus’ Ῥυθμικὰ στοιχεῖα shows that it was composed of an introduction and six chapters : a περὶ χρόνων (the distinction between ῥυθμός and ῥυθμιζόμενα, the μεγέθη τῶν χρόνων, the χρόνος πρῶτος and the χρόνοι τῆς ῥυθμοποιίας ἴδιοι), a περὶ ποδῶν (their definition, μέρη, rationality and διαφοραί), a περὶ γενῶν τῶν ποδῶν (the three γένη of the συνεχὴς ῥυθμοποιία, their respective πόδες, their size, the refutation of the arithmetical theory of the κανονικοί and the recapitulation of the πόδες proper to each γένος), a περὶ ῥυθμῶν (the definition of ῥυθμός, the διαφοραὶ τῶν ῥυθμῶν and their classification), a περὶ ἀγωγῆς (the definition of ἀγωγή, its interdependence with the χρόνος πρῶτος and its limitation by αἴσθησις) and a περὶ μεταβολῆς (the definition of the ῥυθμικὴ μεταβολή and its twelve τρόποι). As for ῥυθμοποιία, it must have been discussed in Book iii. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Greek and Roman Musical Studies Brill

L’organisation d’ensemble du livre ii des Ῥυθμικὰ στοιχεῖα d’Aristoxène de Tarente

Greek and Roman Musical Studies , Volume 4 (1): 23 – Feb 24, 2016

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References (11)

Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
2212-974X
eISSN
2212-9758
DOI
10.1163/22129758-12341270
Publisher site
See Article on Publisher Site

Abstract

The study of evidence on the content of Book ii of Aristoxenus’ Ῥυθμικὰ στοιχεῖα shows that it was composed of an introduction and six chapters : a περὶ χρόνων (the distinction between ῥυθμός and ῥυθμιζόμενα, the μεγέθη τῶν χρόνων, the χρόνος πρῶτος and the χρόνοι τῆς ῥυθμοποιίας ἴδιοι), a περὶ ποδῶν (their definition, μέρη, rationality and διαφοραί), a περὶ γενῶν τῶν ποδῶν (the three γένη of the συνεχὴς ῥυθμοποιία, their respective πόδες, their size, the refutation of the arithmetical theory of the κανονικοί and the recapitulation of the πόδες proper to each γένος), a περὶ ῥυθμῶν (the definition of ῥυθμός, the διαφοραὶ τῶν ῥυθμῶν and their classification), a περὶ ἀγωγῆς (the definition of ἀγωγή, its interdependence with the χρόνος πρῶτος and its limitation by αἴσθησις) and a περὶ μεταβολῆς (the definition of the ῥυθμικὴ μεταβολή and its twelve τρόποι). As for ῥυθμοποιία, it must have been discussed in Book iii.

Journal

Greek and Roman Musical StudiesBrill

Published: Feb 24, 2016

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