Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Saenredam: Constructions

Saenredam: Constructions 121 Het schilderij wordt op stilistische gronden ge- woonlijk tussen 1640 en 1650 gedateerd (vgl. cat. tent. Utrecht). 39 Saenredam heeft zich hier te veel vrijheden veroorloofd, om de in noot 37 beschreven bere- keningsmethode te kunnen toepassen. Zo is bij- voorbeeld in het schilderij de viering meer dan R. RUURS twee maal zo breed als de eerste travee van het schip. Men zij er overigens op bedacht, dat ik hicr steeds gebruik maak van ccn plattegrond (afb. 24), die (door Vermeulen in 1920) gereconstruecrd is op grond van tekeningen van Saenredam. Het gcvaar van cirkelredeneringcn is derhalve steeds aanwe- zig. Saenredam: Constructions Saenredam's paintings of church interiors are all based on drawings that were made on the spot. Between the drawing made in situ (hereafter referred to as the sketch, see Note 2) and the completed painting came at least one more stage: the construction drawing. This was sometimes made directly on the panel (Fig. 1, Note 5), but usually on a sepa- rate sheet. This article sets out the construction procedure in somewhat more detail than has been done up to now (Note 6). 1. Measurement and construction drawing The exposition given here is based on http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Oud Holland - Quarterly for Dutch Art History Brill

Saenredam: Constructions

Oud Holland - Quarterly for Dutch Art History , Volume 96 (2): 121 – Jan 1, 1982

Loading next page...
 
/lp/brill/saenredam-constructions-SyGmL6aDL9

References

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
Brill
Copyright
© 1982 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0030-672x
eISSN
1875-0176
DOI
10.1163/187501782X00074
Publisher site
See Article on Publisher Site

Abstract

121 Het schilderij wordt op stilistische gronden ge- woonlijk tussen 1640 en 1650 gedateerd (vgl. cat. tent. Utrecht). 39 Saenredam heeft zich hier te veel vrijheden veroorloofd, om de in noot 37 beschreven bere- keningsmethode te kunnen toepassen. Zo is bij- voorbeeld in het schilderij de viering meer dan R. RUURS twee maal zo breed als de eerste travee van het schip. Men zij er overigens op bedacht, dat ik hicr steeds gebruik maak van ccn plattegrond (afb. 24), die (door Vermeulen in 1920) gereconstruecrd is op grond van tekeningen van Saenredam. Het gcvaar van cirkelredeneringcn is derhalve steeds aanwe- zig. Saenredam: Constructions Saenredam's paintings of church interiors are all based on drawings that were made on the spot. Between the drawing made in situ (hereafter referred to as the sketch, see Note 2) and the completed painting came at least one more stage: the construction drawing. This was sometimes made directly on the panel (Fig. 1, Note 5), but usually on a sepa- rate sheet. This article sets out the construction procedure in somewhat more detail than has been done up to now (Note 6). 1. Measurement and construction drawing The exposition given here is based on

Journal

Oud Holland - Quarterly for Dutch Art HistoryBrill

Published: Jan 1, 1982

There are no references for this article.