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- Publisher
- Brill
- Copyright
- © 1953 Koninklijke Brill NV, Leiden, The Netherlands
- ISSN
- 0030-672x
- eISSN
- 1875-0176
- DOI
- 10.1163/187501753X00076
- Publisher site
- See Article on Publisher Site
Abstract
73 van later datum, eveneens nog op de mogelijkheden van het schema ver- laten heeft. Zoomin als wij op dit oogenblik de begrenzing voor wat het opkomen van het schema betreft, met zekerheid kunnen aangeven, zoomin is ons dit mogelijk voor het buiten gebruik geraken er van. Het is een der vele vraag- stukken, die onze 19de eeuwsche kunst oplevert en waarvan de bestudeering slechts kan strekken om ons inzicht te verruimen. A composition element in Dutch painting ' of the Middle of the Nineteenth Century by J. KNOEF In the middle of the nineteenth century Dutch painting displays a composition scheme characterized by the presence of a component, usually beyond the middle distance, by means of which the different parts of the scene - which, incidentally, are not always the same - are distinctly separated. This isolated and isolating component, sometimes dark, sometimes light, is an absolutely horizontal element in the composition, and imparts to it a great sense of restfulness. Other horizontal motifs in the foreground and the middle distance accentuate this element and lead up to it. The element is not used obtrusively and does not lead to rigidity. It occurs not only in landscapes
Journal
Oud Holland - Quarterly for Dutch Art History – Brill
Published: Jan 1, 1953