Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
Abstract Ovid’s depiction of the House of Fama , the goddess of Rumour, in Book XII of the Metamorphoses illustrates a complex relationship between voice, identity and text. This paper will argue that Ovid, through the House of Fama , reveals how the impossibility of maintaining the integrity of corporeality is related to the implausibility of claiming authority over any literary text. Ovid uses the concept of the rumour to inscribe the breakdown of the boundaries of the body and identity, in the context of the breakdown of the unity of the literary text, revealing how the voice we call our own, that is central to our sense of the singularity of the self, is made up of the voices of other people, and how the literary text is understood to be an unstable amalgamation of the voices of other authors.
Mnemosyne – Brill
Published: Jan 14, 2014
Keywords: Ovid; House of Fama ; rumour; voice; Metamorphoses
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.