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C. MIRALLES & J. PÒRTULAS, Archilochus and the iambic poetry (Filologia e Critica, 45). Roma, Edizioni dell'Ateneo, 1983. 157 p

C. MIRALLES & J. PÒRTULAS, Archilochus and the iambic poetry (Filologia e Critica, 45). Roma,... DE NOVIS LIBRIS IUDICIA C. MIRALLES & J. PÒRTULAS, Archilochus and the iambic poetry (Filologia e Critica, 45). Roma, Edizioni dell'Ateneo, 1983. 157 p. On the backside of the cover, the authors write in their slightly comical English that they "refuse any kind of formalistic philology and try to combine all the most valuable contributions of other human sciences". I do not know what formalistic philology is, and I fail to perceive the antithesis between philology and "other human sciences": if philology is that branch of scholarship that aims at explaining literary texts, it needs assistance of all kinds of other disciplines, human or otherwise, as long as these provide data that may improve our understanding of the texts. If I am very critical of the authors' use of comparative and Greek religion, it is not because I reject employing these disciplines in the area of literary studies, but because I have no patience with their particular manner of using them in this book. The second chapter is entitled "The iambic poet as a wolf". Tak- ing their cue from the analysis of the name Lycambes as Xux + (cf. iaplfioq, etc.), the authors consider the first part http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Mnemosyne Brill

C. MIRALLES & J. PÒRTULAS, Archilochus and the iambic poetry (Filologia e Critica, 45). Roma, Edizioni dell'Ateneo, 1983. 157 p

Mnemosyne , Volume 40 (3-4): 430 – Jan 1, 1987

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Publisher
Brill
Copyright
© 1987 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0026-7074
eISSN
1568-525X
DOI
10.1163/156852587X00616
Publisher site
See Article on Publisher Site

Abstract

DE NOVIS LIBRIS IUDICIA C. MIRALLES & J. PÒRTULAS, Archilochus and the iambic poetry (Filologia e Critica, 45). Roma, Edizioni dell'Ateneo, 1983. 157 p. On the backside of the cover, the authors write in their slightly comical English that they "refuse any kind of formalistic philology and try to combine all the most valuable contributions of other human sciences". I do not know what formalistic philology is, and I fail to perceive the antithesis between philology and "other human sciences": if philology is that branch of scholarship that aims at explaining literary texts, it needs assistance of all kinds of other disciplines, human or otherwise, as long as these provide data that may improve our understanding of the texts. If I am very critical of the authors' use of comparative and Greek religion, it is not because I reject employing these disciplines in the area of literary studies, but because I have no patience with their particular manner of using them in this book. The second chapter is entitled "The iambic poet as a wolf". Tak- ing their cue from the analysis of the name Lycambes as Xux + (cf. iaplfioq, etc.), the authors consider the first part

Journal

MnemosyneBrill

Published: Jan 1, 1987

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