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THE KALEIDOSCOPIC NATURE OF DIVINE PERSONALITY IN THE HEBREW BIBLE

THE KALEIDOSCOPIC NATURE OF DIVINE PERSONALITY IN THE HEBREW BIBLE <jats:sec><jats:title>Abstract</jats:title><jats:p>Over the centuries, rabbis, priests and laity have wrestled with the Bible's various and often conflicting portraits of the God Yahweh. The social sciences suggest that each Yahweh text reflects the needs of the communities that formulated the text. Also, academic research has explored the reception of the complete Bible by religious communities. With the exception of so-called canonical criticism, very little work has been done on the transition between these two stages of the Bible's (and Yahweh's) evolution, from initial composition of texts to complete biblical canon. But canonical criticism usually presumes, a priori , that any text later deemed biblical was in some sense religiously useful from the day of initial composition, became (or continued to be) religiously authoritative as it evolved toward final edited form, and only increased in sacredness as it moved toward canonization. This study disputes that presumption, suggesting that the anthology was produced by a group of literati whose motivation was both socio-ideological and aesthetic, but not religious. This motivation best explains the extreme diversity of Yahweh personalities in the Hebrew canon.</jats:p> </jats:sec> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Biblical Interpretation Brill

THE KALEIDOSCOPIC NATURE OF DIVINE PERSONALITY IN THE HEBREW BIBLE

Biblical Interpretation , Volume 9 (1): 1 – Jan 1, 2001

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Publisher
Brill
Copyright
© 2001 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0927-2569
eISSN
1568-5152
DOI
10.1163/156851501300112335
Publisher site
See Article on Publisher Site

Abstract

<jats:sec><jats:title>Abstract</jats:title><jats:p>Over the centuries, rabbis, priests and laity have wrestled with the Bible's various and often conflicting portraits of the God Yahweh. The social sciences suggest that each Yahweh text reflects the needs of the communities that formulated the text. Also, academic research has explored the reception of the complete Bible by religious communities. With the exception of so-called canonical criticism, very little work has been done on the transition between these two stages of the Bible's (and Yahweh's) evolution, from initial composition of texts to complete biblical canon. But canonical criticism usually presumes, a priori , that any text later deemed biblical was in some sense religiously useful from the day of initial composition, became (or continued to be) religiously authoritative as it evolved toward final edited form, and only increased in sacredness as it moved toward canonization. This study disputes that presumption, suggesting that the anthology was produced by a group of literati whose motivation was both socio-ideological and aesthetic, but not religious. This motivation best explains the extreme diversity of Yahweh personalities in the Hebrew canon.</jats:p> </jats:sec>

Journal

Biblical InterpretationBrill

Published: Jan 1, 2001

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