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M. Gluck (2005)
Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris
Y. Zhou (1997)
Ershi shiji Zhongguo xiaoshuo lilun ziliao: 1937–1949 二十世纪中国小 说理论资料: 1937–1949
S. Zhao (1999)
Zhao Shuli quanji
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趙 樹理 (1980)
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Y.-t. M. Feuerwerker (1998)
Ideology, Power, Text, Self-representation and Peasant Other in Modern Chinese Literature
L. Liu (2004)
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R. Holub (1993)
Jauss, Hans Robert
R. Chow (1995)
Primitive Passions: Visuality, Sexuality, Ethnicity and Contemporary Chinese Cinema
A. Gramsci (1971)
Selections from the Prison Notebooks of Antonio Gramsci
Susan Buck‐Morss (1986)
The Flaneur, the Sandwichman and the Whore: The Politics of LoiteringNew German Critique
W. Benjamin (1968)
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H. Jauss, Timothy Bahti, P. Man (1981)
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F. Jameson (1986)
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C. Goodrich, C. Hsia (1961)
A history of modern Chinese fiction
This essay traces a modernist aspect of Zhao Shuli’s fiction to his popular story “Rhymes of Li Youcai.” By using an analogy of flaneur from French resources, the essays argues that the major hero’s action delineated as a constant loitering suggests a special mode of intellectual being in his relation to the social and political life he lives in, which is quite exceptional in modern Chinese literature. Moreover, a close reading raises a few theoretical questions about the nature of his storytelling art and invites a rethinking of the relationship between the May Fourth Enlightenment Literature and the Revolutionary Literature.
Frontiers of Literary Studies in China – Brill
Published: Jan 1, 2011
Keywords: Zhao Shuli; “Rhymes of Li Youcai,” peasant intellectual; public affair; modern Chinese literature
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