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The Western Image of Chinese and Its Expression in Poetry: From Victor Segalen’s Stèles to Gérard Macé’s Chinese Lesson

The Western Image of Chinese and Its Expression in Poetry: From Victor Segalen’s Stèles to Gérard... This paper presents specific problems posed by the Chinese translation of Victor Segalen’s prose poetry collection Stèles , and reflects on the varied relationships between Western writers and the Chinese language. The author holds that the relationship between Segalen and Chinese is not only empirical, but imaginary. For him, as for other contemporary French poets such as Gérard Macé, the Chinese language has become metaphoric for poetic language. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Frontiers of Literary Studies in China Brill

The Western Image of Chinese and Its Expression in Poetry: From Victor Segalen’s Stèles to Gérard Macé’s Chinese Lesson

Frontiers of Literary Studies in China , Volume 4 (3): 367 – Jan 1, 2010

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References (5)

Publisher
Brill
Copyright
Copyright 2010 by Koninklijke Brill NV, Leiden, The Netherlands
ISSN
1673-7318
eISSN
1673-7423
DOI
10.1007/s11702-010-0103-9
Publisher site
See Article on Publisher Site

Abstract

This paper presents specific problems posed by the Chinese translation of Victor Segalen’s prose poetry collection Stèles , and reflects on the varied relationships between Western writers and the Chinese language. The author holds that the relationship between Segalen and Chinese is not only empirical, but imaginary. For him, as for other contemporary French poets such as Gérard Macé, the Chinese language has become metaphoric for poetic language.

Journal

Frontiers of Literary Studies in ChinaBrill

Published: Jan 1, 2010

Keywords: poetry translation; Western imagination; Chinese language; alterity of language

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